Woman in Autumn Woods

Woman in Autumn Woods
Woman in Autumn Woods
(American, 1836-1910)

Woman in Autumn Woods

Dateca. 1877
Mediumoil on canvas
Dimensionsoverall: 35 1/8 × 24 in. (89.2 × 61 cm) frame: 46 1/2 × 32 5/8 × 3 1/4 in. (118.1 × 82.9 × 8.3 cm) weight: 21 lb. (9.5 kg)
ClassificationPAINTINGS
Credit LineSBMA, Gift of Mrs. Sterling Morton to the Preston Morton Collection
Object number1960.63
Subject(s)
  • autumn
  • women
Collection
  • 19th century American
  • American
Sub-Collection(s)
  • Realism
  • American
On View
On view
Label Text

One of the most famous late 19th-century American artists, Winslow Homer is best known for his paintings of marine scenes and his work as a groundbreaking watercolorist. After an early career as a lithographer and illustrator for Harper’s Weekly, where he worked as an artist-correspondent covering the front lines of the Civil War, Homer began working in oil paint after the war. His work was quickly recognized for his clarity, realism, and un-sentimental approach to depicting American life.

This painting dates from the middle years of Homer’s career, when he continued to develop his unique oil painting style and began to experiment with watercolor. Many of his paintings from this period depict women taking part in various genteel activities, from strolling on the beach to playing croquet. As in this painting, the individual subjects remain unknown and Homer’s interest was in exploring the formal elements of light and color rather than constructing a narrative.
 
Woman in Autumn Woods is thought to have been painted on one of Homer’s many trips to the countryside outside New York City, possibly at Houghton Farm, the home of a family friend where Winslow would often spend time with his brother Charles and his sister-in-law. The deep rust hues of the autumn leaves clearly offered the artist an opportunity to experiment with color, and his more spontaneous and expressive paint handling shows his interest in capturing fleeting impressions of nature. Although Homer would have encountered Impressionism during his trip to Paris from 1866-67, his work always followed his own approach to color and light, featuring more solidly realized figures.


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Soren Emil CARLSEN
1904
The Wood Gatherers at Fontainebleau
Léon Germain PELOUSE
1865-1890
Spring Woods
Paul NASH
1919
Indian-Mexican Woman
Alexander F. HARMER
n.d.
Portrait of a Young Woman
George HITCHCOCK
n.d. -ca. 1907
Taos Woman
Della SHULL
1930
Woman with a Mandolin
Eugène ZAK
ca. 1924
Woman in Landscape
Jozef ISRAËLS
1890s
Woman with Red Hair
Albert BESNARD
ca. 1896-1902
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